I'm now working on panel 3, at the bottom right of this two-page spread. I've spent a bit of time with the 3D models trying to find the right pose for Uccello, who was sleeping on the floor in the previous panel.
I first of all tried working from the pose from the previous panel (post immediately below), which I had been quite pleased with. Using reference shots on the internet, I reposed this to suggest him getting up from the position he had been in.
While that looked good in some ways, it didn't seem to fit with my idea of the time elapsed from the previous panel, where i was thinking that the patron ad time to take in the artwork eve before speaking the three lots of text above. I other words it doesn't make sense for Uccello to still be on the ground at that point, given he is with a patron, and as we have established, powerful man.
I tried him further in the process of sitting up, and yawning.
Even though he has just woken up, such a theatrical yawn in from of a patron, who was already dissatisfied with him, might seem like a deliberate provocation.
The last one might do, with a bot o tweaking. perhaps I am over-thinking this, I haven't agonised this much over other panels. but this spread is the climax of the story, so genuinely important.
It might help to move some of the word balloons towards the right, which will reduced the experience of time passing before he has stood up. that's to say, the word ballots will them appear to happen after the moment Uccello is picture, because of the tradition of reading left to right.
Of course, if I just drew Uccello stood up, it's unlikely many people would see anything wrong with that, but I do want to get the most out of this panel.
I think I'll work on the other figures/other pages, and come back to this.
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Graham Johnstone ~ Master of Design - Comics and Graphic Novels student 2016-17